Theatre

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The Division of Theatre provides nationally recognized, rigorous training for the next generation of theatre artists. Graduate students pursue an M.F.A. in Acting or Design, while undergraduates earn a B.F.A. in Acting, Theatre Studies or Musical Theatre. By blending intensive studio coursework with a robust production season, we equip students with the practical skills needed to thrive in the professional industry. Beyond the classroom, our students frequently collaborate with Dallas-area theatres and premier regional companies, building professional networks well before graduation.

Faculty

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Hackler-Blake-May-2025

Blake Hackler

Chair, Division of Theatre,
Head of Acting Professor
Dawn Askew

Dawn Askew

Production Manager, Adjunct Instructor
Reiko Aylesworth

Reiko Aylesworth

Professor of Practice
Tiana Kaye Blair

Tiana Kaye Blair

Professor of Practice, Acting and Movement
Sarah Brown

Sarah Brown

Assistant Professor of Practice in Set Design
AmandaCapshawDec2019

Amanda Capshaw

Adjunct Instructor
Clare-Rob-May-2023

Robert Clare

Adjunct Professor

Benard Cummings

Benard Cummings

Associate Professor
Dana-Kristi-June-2023

Kristi Dana

Associate Professor
Joel Ferrell

Joel Ferrell

Professor of Practice in Theatre and Inaugural Director of the Sexton Institute for…
Kimberly Grigsby

Kimberly Grigsby

Assistant Professor of Practice, Musical Theatre
Gill-Carter-August-2024

Carter Gill

Visiting Professor of Acting

Bobbie Lay

Coordinator, Finance and Enrollment
Steve Leary

Steve Leary

Scene Shop Foreman
Justin Mosher

Justin Mosher

Technical Director, Adjunct Instructor
MelissaPanzarello

Melissa Panzarello Cox

Costume Shop Manager, Adjunct Instructor
Sara Romersberger

Sara Romersberger

Associate Professor
Anne Schilling

Anne Schilling

Associate Professor
SmithGretchenAugust2022

Gretchen E. Smith

Associate Dean for Students and Head of Theatre Studies
Jennifer Joan Thompson

Jennifer Joan Thompson

Assistant Professor
StanleyWojewodski

Stanley Wojewodski, Jr.

Distinguished Professor of Theatre
Steve Woods

Steve Woods

Professor, Head of Design
Linda Blase

Linda Blase

Adjunct Instructor

Video

SMU Theatre is For You!

SMU Student Theatre Group Promotes Cross-Collaboration for Arts Majors

SMU Student Theatre (SMUST) produces student-led productions that allow for interdisciplinary work between Meadows students in a variety of majors.

Read More

Featured Courses

THEA 2322

From Page to Stage: Text Analysis in the Theatre

This foundational course provides first year students with the fundamental skills of decoding play texts for performance. Through lecture, discussion, classroom exercises, and written assignments students will  consider how our reading of plays might shape production choices and inform personalized embodiment. Throughout the semester, students will explore a variety of styles and genres of dramatic literature, including classical, realist, and experimental works, and will have the opportunity to engage with different paradigms of interpretive and embodied response.

THEA 3305

Voice for the Stage III

Vocal power, flexibility, and expressive capability are practiced in a variety of space configurations. Students refine their ability to execute detailed speech actions and identify specific phonetic changes using the phonetic alphabet. The application of voice and speech actions to accents and dialects is practiced and refined.

THEA 4342

Directing IV

Advanced techniques in the development of the forward action of embodied text including established dramatic literature and/or the creation of original work including devised work.  Studio scene work, individualized mentorship and continued emphasis on critical thinking and collaborative/collegial effort. During this final semester in the sequence of four, students are eligible to interview with a faculty committee for one of three fully produced, main stage directing assignments.

THEA 6305

Clown & Commedia

 A highly physical acting course exploring Clownand Commedia dell’Arte. Clown invites the rediscovery of the unsocialized self through vulnerability, rhythm, and the pleasure of play, while Commedia trains the actor in precision, form, and awareness through mask, improvisation, and ensemble work. Together they develop technical skill, spontaneity, and authentic connection with the audience.

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