Virginia Dupuy has earned a reputation as one of the finest recital and concert singers in the United States. She has championed American music in recordings of the Grammy-nominated Voces Americanas, and she premiered the role of “Crone” in Conrad Susa’s opera Wise Women. Fanfare magazine hailed her recording of Dominick Argento’s Pulitzer Prize winner From the Diary of Virginia Woolf as one of the top classical recordings of the year.
Dupuy made her Lincoln Center debut with the American Symphony Orchestra at Avery Fisher Hall and has appeared with the orchestras of Pittsburgh, Phoenix, Dallas, Houston, Fort Worth, Eugene and Honolulu. A professor of music at SMU’s Meadows School of the Arts, she is a leading scholar and interpreter of music set to Emily Dickinson’s texts. Gasparo Records, Inc. released Dwell in Possibility, a CD of 24 Dickinson poems and one letter performed by Dupuy with Shields-Collins Bray of Voices of Change, set to music by her esteemed friends, including Jake Heggie, Lee Hoiby, Dan Welcher, Richard Hundley, Simon Sargon and William Jordan. She continued her performances of contemporary composers with Voices of Change and the Cliburn Modern Composers Concerts with the composers Golijov, Danielpour, Higdon and Bolcom present. She sang songs and duets, including texts of Sister Helen Prejean, with Jake Heggie at the Cliburn’s “Modern at the Modern” in Fort Worth with pianist and producer Shields-Collins Bray. She continues to perform “Emily Dickinson in Song” throughout the country.
Her student, tenor Juan de Leon, made his Metropolitan Opera debut in October 2013 and performs all over the world. Other Dupuy students have recently won regional Metropolitan Opera auditions and are apprentices at Santa Fe Opera, Glimmerglass, Wolf Trap, Chautauqua, Des Moines, Opera North and Los Angeles Opera. Dupuy also is the liaison and founder of the Emerging Artist Program, a partnership for SMU graduate students and the Dallas Opera.
Dupuy is in demand throughout the United States as a teacher of master classes. In spring 2016, she produced a workshop, “Strategies for Performing Contemporary Music,” for the Los Angeles NATS chapter on the campus of Loyola Marymount University. In 2010, she produced a symposium prior to the opening of the opera, Moby Dick, by Jake Heggie at the Winspear Opera House in partnership with the Dallas Opera, Meadows School of the Arts and the Texas Book Festival.
Dupuy is currently producing master classes for SMU with coach Tom Jaber, New York agent Gabriel Couret, and Metropolitan Opera music staff member Vlad Iftinca.
As a member of the company of Dallas-based “Voices of Change,” Dupuy performed Ravel’s Chanson Madecasses in January 2017. She will return to the Georgetown Festival of the Arts in early June 2017, performing song cycles of Elgar and Britten.