Christopher S. Anderson
Associate Professor of Sacred Music

Kirby 101ba
214.768.3160
csander@smu.edu
Education
Ph.D. in Performance Practices, Duke University, 1999 Staatliche Hochschule für Musik Stuttgart, 1991-92 M.M. and M.S.M., Southern Methodist University, 1991 B.A., Transylvania University, 1988
Teaching Specialties
Research Interests
Selected Publications
:: Christopher Anderson and Dean Billmeyer, eds. An Introduction to the Organ Music of Max Reger. Annotated Performers Edition Series. Wayne Leupold Editions (forthcoming 2016).
:: A Drop of English Blood’: Karl Straube’s Multifaceted Relations to England.” Journal of the British Institute of Organ Studies 39 (2015): 56–81.
:: Felix Mendelssohn Bartholdy und Friedrich Schleiermacher: zur musikalischen Theologie des Paulus.” In Musik, Kirchenmusik, Theologie. Festschrift Christoph Krummacher zum 65. Geburtstag (München: Strube, 2014). 143–91.
:: Christopher Anderson, ed. Twentieth-Century Organ Music. Routledge Studies in Musical Genres. New York and London: Routledge, 2012.
:: Jon Laukvik, Orgelschule zur historischen Aufführungspraxis, Trans. Christopher Anderson, Historical Performance Practice in Organ Playing - Volume 2, Romanticism (Stuttgart: Carus, 2010).
:: Max Reger at SMU (Soundboard label). Opp. 135b, 59/2, 67/3, and 57 on the C. B. Fisk organ op. 101 of Caruth Auditorium and the Aeolian-Skinner/Schudi/Dupont organ of Perkins Chapel. Fall 2009.
:: "Noch einmal Max Reger und Karl Straube: Gedanken über die bekannte Zusammenarbeit vor dem Hintergrund eines werdenden Straube-Bilds.” In Reger-Studien 9. Konfession – Werk – Interpretation. Perspektiven der Orgelwerke Max Regers. Kongressbericht Mainz 2012. Stuttgart: Carus, 2013. 229–46.
:: "In Bach’s Spirit: Karl Straube’s Liszt Editions and Their Background.” The Organ Yearbook 41 (2012). 115–36.