Ph.D., Boston University
B.A., Wesleyan University
Paul J. Edwards is an Assistant Professor of English at Southern Methodist University in Dallas, Texas. and a book reviews editor for The Black Scholar. His research and teaching span across the fields of African American literature, gender and sexuality studies, and media studies. His current book project, The Black Wave: The New Negro Renaissance in Interwar Germany, reveals the effects of the New Negro/Harlem Renaissance in Germany from 1925 to 1938. Drawing together conversations in performance studies, modernist studies, and Black studies, the book reflects extensive archival research in Germany, Austria, and the United States. At the heart of this project is the insight that the Black arts renaissance extended beyond the known centers of the Black Atlantic and had a profound effect on the cultures of Weimar and Nazi Germany.
Awards and Distinctions
- Certificate of Excellence for Lecturers, The Derek Bok Center for Teaching and Learning, Harvard University, 2019.
- Thomas T. Hoopes Prize for Excellent Undergraduate Work and Excellence in the Art of Teaching, Harvard University, 2018.
- Certificate of Excellence for Lecturers, The Derek Bok Center for Teaching and Learning, Harvard University, 2017.
- Deutscher Akademischer Austauschdienst (German Academic Exchange Service) Long-Term Research Grant, Bonn, Germany, 2015-2016.
“The Circumstances of Color: The Jim Crow Translation of Jonny spielt auf,” Modern Drama, University of Toronto Press. Forthcoming.
“Catering to White Audiences: Fairview at Wooly Mammoth,” Critical Acts, TDR/The Drama Review, Cambridge, MA: MIT Press, Spring 2021.
“‘Bury the gold again before the Europeans bring us their culture’”: Witzblätter and the Paradox of German Anti-Colonialism,” German Studies Review 44, no 1, Baltimore: Johns Hopkins University Press, 2021.
“Staging the Great Migration: The Chocolate Kiddies and the German Experience of the New Negro Renaissance,” Modernism/modernity Printplus 4, cycle 3. Baltimore: Johns Hopkins University Press, October 2019.
“We are the Music: An Interview with Step Afrika!’s Former Artistic Director Jakari Sherman,” The Black Scholar, New York, NY: Routledge, 2018.