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October 27, 2003
American Playwright Edward Albee To Receive 2003 Algur
H. Meadows Award For Excellence In The Arts On Nov. 8
Public Evening Events To Be Held
Nov. 5 and 6
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DALLAS (SMU) -- Edward Albee, the award-winning American dramatist
whose 28 plays include Who’s Afraid of Virginia Woolf?, The Zoo
Story and The Goat or Who Is Sylvia?, will receive the 2003 Algur H. Meadows
Award for Excellence in the Arts on November 8, 2003, at the Meadows School
of the Arts at Southern Methodist University in Dallas, Texas.
Prior to accepting the award, Albee will spend three days on the SMU
campus. He will hold three separate sessions with students -- on design,
acting and directing -- as well as an afternoon workshop with student
playwrights, and will join theatre students for an informal lunch and
Q & A session.
Albee will also participate in two public evening events at SMU. The
first, “A Conversation With Edward Albee,” will be at 7:30
p.m. Wednesday, Nov. 5, in the Bob Hope Theatre of the Owen Arts Center,
6101 Bishop Boulevard. Mel Gussow, Albee’s biographer and a cultural
affairs writer and former theatre critic for The New York Times, will
moderate the open forum discussing Albee’s life and career.
The second event is a panel discussion titled “Generations of
Playwrights: The Albee Legacy.” It will be held at 7:30 p.m. Thursday,
Nov. 6, in the Bob Hope Theatre. In addition to Albee, the panel will
include moderator Mel Gussow; JoAnn McDowell, founder of the Last Frontier
Theatre Conference; Dr. Sidney Berger, director of the University of Houston
School of Theatre; and a playwright whose work has been influenced by
Albee.
Both events are FREE and open to the public. However, tickets are required
and may be reserved by calling the Meadows Ticket Office at 214-768-2787.
“Edward Albee has had an enormous influence on playwriting in
America, and we are thrilled to bring him to Dallas,” said Carole
Brandt, dean of the Meadows School of the Arts. “Our theatre students
will be among the professionals who will carry his legacy into the future,
and this is an exceptional opportunity for them to learn firsthand from
a living legend about life, art and the pursuit of their dreams.”
Edward Albee first gained national recognition in 1959 with The
Zoo Story, a one-act play about a drifter who orchestrates his own murder
with the unwitting assistance of a publisher. It and his other early works,
including The Sandbox (1959) and The American Dream (1960), changed the
face of American drama with their intensity, modern themes and experimental
form. Albee was hailed as the successor to Arthur Miller, Eugene O’Neill
and Tennessee Williams, with Williams himself calling Albee “the
only great playwright we’ve ever had in America.”
Today, Albee’s plays form a body of work that has been called
unique, uncompromising, controversial, elliptical and provocative. Albee
describes his work as “an examination of the American Scene, an
attack on the substitution of artificial for real values in our society,
a condemnation of complacency, cruelty, and emasculation and vacuity,
a stand against the fiction that everything in this slipping land of ours
is peachy-keen.”
Edward Albee was born on March 12, 1928, in Washington, D.C., and adopted
as an infant by millionaire couple Reed and Frances Albee. As he grew,
Albee rebelled against his mother’s attempts to mold him into a
member of the Larchmont, New York social set, preferring instead to pursue
an interest in the arts. Even before adolescence he began to write prolifically,
producing poetry, plays and even novels. At age 20, he moved to Greenwich
Village, and for the next decade he held a variety of odd jobs including
office boy, record salesman and Western Union messenger. During this period
he met Thornton Wilder, who encouraged him to become a playwright, although
it was several years before Albee followed his advice.
In 1958 Albee wrote The Zoo Story. Found unacceptable by New York producers,
it was first staged in Berlin, where its success led to an off-Broadway
production that earned the Vernon Rice Award in 1960 and catapulted Albee
into the national spotlight.
Since then, Albee has won numerous other awards, including three Pulitzer
Prizes -- for A Delicate Balance (1967), Seascape (1975) and Three
Tall Women (1994). He also earned three Tony Awards, for Who’s Afraid
of Virginia Woolf ?(1963), which many critics regard as his finest play;
A Delicate Balance (1996 -- Best Revival); and, most recently, The
Goat or Who Is Sylvia? (2002). He received a Kennedy Center Lifetime Achievement
Award in 1996 and the National Medal of Arts from President Clinton in
1997.
Presented annually by the Meadows School, the Algur H. Meadows Award
for Excellence in the Arts honors the accomplishments of an artist at
the pinnacle of a distinguished career. It is funded by a generous endowment
from The Meadows Foundation. Albee will accept the award from Foundation
President and CEO Linda P. Evans and SMU President R. Gerald Turner at
a formal ceremony hosted by the Meadows School of the Arts and The Meadows
Foundation.
“We are delighted that Edward Albee will receive the 2003 Algur
H. Meadows Award for Excellence in the Arts,” said Linda Evans. “His
presence on the SMU campus will give students a rare opportunity to interact
with and learn from one of the foremost playwrights in the world today.
Such opportunities help make the educational experience at the Meadows
School of the Arts fuller and richer for both the students and the faculty.
The Meadows Foundation is proud to honor its founder with the continued
support of the Algur H. Meadows Award for Excellence in the Arts.”
The Algur H. Meadows Award for Excellence in the Arts provides a forum
for the recipient to share ideas and aspirations with the students of
SMU who will be professional artists and patrons in the future. The Meadows
Award is a permanent memorial to Algur H. Meadows (1899-1978), a distinguished
arts patron and benefactor of the Meadows School of the Arts.
The award, which carries a cash prize of $50,000, has been previously
awarded to such luminaries as film director Ingmar Bergman, theater director
Peter Brook, artist/architect Santiago Calatrava, choreographer Merce
Cunningham, choreographer Martha Graham, journalist Don Hewitt, actor
John Houseman, dancer/choreographer Judith Jamison, actress Angela Lansbury,
artist Jacob Lawrence, musician Wynton Marsalis, playwright Arthur Miller,
singer Leontyne Price, artist Robert Rauschenberg, musician/conductor
Mstislav Rostropovich, composer Stephen Sondheim and choreographer Paul
Taylor.
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