Theatre

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The Meadows Division of Theatre is one of the most highly regarded training programs in the country.

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Students select from the Acting track or the Theatre Studies track.

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The Division of Theatre produces 8-10 main stage shows of new and classical works every year. Pictured: Artist-in-residence Will Power works with students.

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Students can produce their own plays through the SMUST organization and may also apply for Meadows Exploration grants to help supplement production costs.

Graduate General Theatre Topics Classes

Please note that not all courses are offered every semester. This listing is not considered authoritative. Please visit Access.SMU for authoritative course offerings including meeting times, professor, and more.

THEA 5101, 5201, 5301, 6101, 6201, 6301: Directed Studies in Theater

THEA 5398, 5399: Production Research and Development
Script analysis, background research and performance design for actors, designers and directors.

THEA 6216: Theories of Modern Theater Practice
An examination of the role theory has played in the development of modern and postmodern theater practice. Significant attention will be devoted to theorist/practitioners working prior to 1960: Wagner, Appia, Craig, Stanislavski, Brecht, Artaud, the Prague School and Grotowski. After 1960, readings and viewings will foreground myriad issues, among them the formative impact of theories of textuality, semiotics, colonialism, race and gender on contemporary theater constructs.

THEA 6217: Text Analysis II
Development of analytical skills in verse drama from Aeschylus to Derrick Walcott. Focus will rest on the text as a blueprint for action.

THEA 6315: Text Analysis I
An interdisciplinary and integrated approach to the analysis of modern and postmodern dramatic literature for acting, design and directing students. Students will acquire the skills necessary to use texts as the blueprints for interpretation and/or departure. Reading, discussion and written analyses of selected texts will form the basis of class interaction, but secondary critical literature will be used selectively to foreground key issues. Texts will range from Dumas fils (c. 1850) to contemporary dramatists.

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