Music

Cellists perform.Percussion inside Caruth Auditorium.Meadows Opera theatre performance.Brass players perform.

Teaching Improvisation: Where to Begin?

Register and Contact Us

Register now for SMU Educators Workshops.

For further information, please contact Julie Scott at scottj@smu.edu or 214-768-3717; or call the SMU Music Office at 214-768-1951.

According to the National Standards for Music Education, everyone should be teaching improvisation. How do students learn to improvise? Where do I start? This class will provide a common sense approach that improves your musicianship and that of your students—making connections for general, vocal, and instrumental teachers at all levels of instruction and experience. Using Christopher Azzara’s publication, Developing Musicianship through Improvisation, participants will be introduced to practical techniques designed to: (1) improve musicianship; (2) develop improvisation skills in a variety of musical styles; (3) include improvisation as an integral part of teaching and learning; (4) define relationships among improvisation, reading, and composition; and (5) assess student learning.

Dates: June 13-15
Times: 9:00 AM-3:00 PM Each Day
Noncredit Cost: $400.00
Graduate Credit Cost: Additional $500.00 for 1 hour of graduate credit (Paid separately to SMU)
Housing Cost: $175 for single; $125 for double

Teaching Improvisation Faculty: Chris Azzara

Chris Azzara is Professor & Chair of Music Education and Affiliate Faculty of Jazz Studies and Contemporary Media at the Eastman School of Music. Pianist, arranger, author, and educator, he has made important contributions to advancing the understanding of creativity and improvisation in the music learning process. Teaching and performing internationally, he is the author of numerous articles, arrangements, and books, including Developing Musicianship Through Improvisation, Creativity In Improvisation, and Jump Right In: The Instrumental Series (GIA).  His research and publications are concerned with meaningful relationships among listening, creating, improvising, reading, composing, and analyzing music in vocal and instrumental settings. He performs as a soloist and in various ensembles, including the Chris Azzara Quartet, and has played on and produced many studio and educational recordings. In Rochester, he performs with free-lance musicians, members of the Eastman School of Music Faculty, and members of the Rochester Philharmonic Orchestra. An active teacher and clinician, he has presented and performed extensively throughout the United States, and in Canada, Germany, France, Lithuania, Poland, and Japan. He has presented clinics and workshops in a variety of settings, including TEDxRochester, the Pittsburgh Symphony Orchestra, and leading music schools in this country and abroad.

Areas of Study

Advertising

Art

Art History

Arts Management and Arts Entrepreneurship

Communication Studies

Creative Computation

Dance

Film and Media Arts

Journalism

Music

Welcome to the Division of Music

About the Division of Music

Undergraduate Studies

Graduate Studies

Departments

Ensembles

Classes

Facilities

Faculty and Staff

Dallas Resources

Student Resources

Workshops and Special Programs

2013 SMU Meadows Music Educators Workshops

Conversational Solfège

Teaching Improvisation: Where to Begin?

Orff Schulwerk Courses

Kodály Certification Training: Levels I, II, III and Choral Track Levels I and III

Dalcroze Eurythmics: Rhythm Flowing Inside You

SMU Mini-Institute for Piano Teachers

SMU Institute for Young Pianists

Piano Preparatory Department

Theatre